Portmanteau

Jaye Kranz

noun, figurative: a word formed by blending sounds from two or more distinct words and combining their meanings; also a transitive verb

Remember the stag

you felt sure you saw in halflight

wondering who would want to shoot it

broadside or quartering away

when all it wanted was to walk here

among the applehalves

my dog at the open door nosing zephyrs

wresting warm bodies from the cold

& you might not believe in ghosts

as if we can all agree on what exists

between a clear night & this dew

between fate & what was only

staying in motion,

between coming closer

felling a tree

patience

& what was just

the applesfalling.

What is the distance

between the orangeseed we planted

& the grapefruit that grew there?

Between you handing me the peeledripe fruit

& me wondering if the tree still lives, still sways

in that garden

that seemed to garden forever.

There seemed to me only three gardens then:

mine, yours & the one you’d take me to,

bags of stale bread

to feed the ducks, readymade for the lovers, the gardenlovers

the ducks, the ducklovers

& those who would soon

breakapart—

whoever made the bags having no idea

stale bread was your bread of choice, the bread you broke most

leaving loaves on your countertops

until they staled.

As if we remember the same things

or the same things remember us

I remember some of you—the way you

drove in a thunderstorm

like we’d washaway;

the way you traced your tools broad & black on the shed wall

to return them to their outlines.

But I never understood why, just after you died

you visited my friend but not me,

though you came once

stood on the porch outside my bedroom window

to teach me a mnemonic

for the order of planets,

unbothered that Pluto had ceased to be

the ‘P’ in your acrostic,

having proved itself unable—or unwilling?—

to be set apart

to clear its regions of neighbouring bodies.

I move with Pluto, now

& the halflight things

portmanteaus in porchlight

flicking in

& out

with the light sensors,

seen there in that tiny age

half-remembered half-forgotten

washed out by the full tilt of the sun.

JAYE KRANZ is a poet, writer and documentary audio maker. The recipient of an Emerging Writers Grant from the Australia Council for the Arts, her work has appeared in The Monthly, Australian Book Review, short story and novella collections, with poems published or forthcoming in West Branch, The Florida Review and Frozen Sea. She was shortlisted for the 2024 Tom Collins Poetry Prize.

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Searching for Bee Orchids on the Day My Childhood Home Is Sold